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"Besides, you are going on a fool's errand," she says, speaking rapidly, as though to gain time. "He has reached his own place long ago. Wait until the morning, I entreat you, Geoffrey. I—" her lips tremble, her breath comes fitfully—"I can bear no more just now." "I don't quite know," says Mona, slowly, "but what Uncle Brian principally studies is—pigs!" "My dear mother, you forget the path leading from the southern gate to Plumston Road has been open to the public for generations. He was at perfect liberty to walk there.".
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Conrad
"Thank you," murmurs he, gratefully. There is evidently comfort in the thought. Then after a moment or two he goes on again, as though following out a pleasant idea: "Some day, perhaps, that vault will hold you too; and there at least we shall meet again, and be side by side." When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. What a world is to be opened up to her! How severe the test to which she will be exposed! Does she really think the whole earth is peopled with beings pure and perfect as herself? Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of.
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